ABSTRACT

There has been an enormous revival of interest in Commedia dell'arte. And it remians a central part of many drama school courses. In Commedia dell'arte in the Twentieth Century John Rublin first examines the orgins of this vital theatrical form and charts its recent revival through the work of companies like Tag, Theatre de Complicite and the influential methods of Jacques Lecoq. The second part of the book provides a unique practical guide for would-be practitioners: demonstrating how to approach the roles of Zanni, Arlecchion, Brighella, Pantalone, Dottore, and the Lovers in terms of movement, mask-work and voice. As well as offering a range of lazzi or comic business, improvisation exercises, sample monologues,and dialogues. No other book so clearly outlines the specific culture of Commedia or provides such a practical guide to its techniques. This immensely timely and useful handbook will be an essential purchase for all actors, students, and teachers.

chapter |10 pages

Introduction

part I|53 pages

The commediadell'arte

chapter |21 pages

Origins

chapter |14 pages

The mask

chapter |16 pages

Playing Commedia

part II|95 pages

The stock characters

chapter |24 pages

The zanni

chapter |15 pages

The old men

chapter |13 pages

The Lovers

chapter |8 pages

Il Capitano

chapter |7 pages

Colombina

chapter |23 pages

Other Masks

chapter |3 pages

Minor Masks

part III|88 pages

The twentieth century

chapter |4 pages

Craig at the Arena Goldoni

chapter |10 pages

Meyerhold Dappertutto

chapter |8 pages

Copeau's new improvised comedy

chapter |6 pages

Charles Dullin: letters from the front

chapter |9 pages

The Servant of Two Masters

chapter |3 pages

The Lecoq school

chapter |8 pages

Le Théâtre du Soleil

chapter |9 pages

The San Francisco Mime Troupe

chapter |6 pages

TNT (The New Theatre)

chapter |6 pages

Dario Fo

chapter |8 pages

Carlo Boso and Antonio Fava

chapter |9 pages

Restoration or renovation?