ABSTRACT

In a world where literary scandals often end up in court, the issue of responsibility in writing has never been more important. In this groundbreaking study, Carl Tighe asks the questions every writer needs to consider:

*What is it that writers do? Are they responsible for all the uses to which their writing might be put? Or no more responsible than their readers?
*How are a writer's responsibilities compromised or defined by commercial or political pressures, or by notions of tradition or originality?
*How does a writer's audience affect their responsibilities? Are these the same for writers in all parts of the world, under all political and social systems?

The first part of this book defines responsibility and looks at its relation to ideas such as power, accuracy, kitsch and political correctness. The second part examines how particular writers have dealt with these issues through a series of often-controversial case studies, including American Psycho, Crash and The Tin Drum.

Writing and Responsibility encourages its readers to interrogate the choices they make as writers. A fascinating look at the public consequences of the private act of writing, Carl Tighe's book is a must-read for everyone who writes or studies writing.

chapter 1|12 pages

Introduction

part |2 pages

Part 1 Issues

chapter 2|9 pages

Tradition

chapter 3|10 pages

Power

chapter 4|7 pages

Accuracy

chapter 5|13 pages

Kitsch

chapter 6|11 pages

Censorship

chapter 7|12 pages

Political correctness

part |2 pages

Part 2 Case studies

chapter 8|11 pages

New kinds of sex: J. G. Ballard, Crash

chapter 9|13 pages

Faking a life

Binjamin Wilkomirski, Fragments

chapter 10|13 pages

Sex, satire and sadism

Bret Easton Ellis, American Psycho

chapter 11|13 pages

Between Poland and Germany

Günter Grass, The Tin Drum

chapter 12|10 pages

African reality: Wole Soyinka,‘The writer in a modern African state’

Wole Soyinka, ‘The writer in a modern African state’

chapter 13|13 pages

Witches of Croatia: Dubravka Ugres˘ic´, The Culture of Lies

Dubravka Ugres˘ic´, The Culture of

chapter 14|4 pages

Conclusion