ABSTRACT

Ghost, Android, Animal challenges the notion that trauma literature functions as a healing agent for victims of severe pain and loss by bringing trauma studies into the orbit of posthumanist thought. Investigating how literary representations of ghosts, androids, and animals engage traumatic experience, this book revisits canonical texts by William Faulkner and Toni Morrison and aligns them with experimental and popular texts by Shirley Jackson, Philip K. Dick, and Clive Barker. In establishing this textual field, the book reveals how depictions of non-human agents invite readers to cross subjective and cultural thresholds and interact with the "impossible" pain of others. Ultimately, this study asks us to consider new practices for reading trauma literature that enlarges our conceptions of the human and the real.

chapter |39 pages

Introduction

Posthuman Suffering, Posthuman Potentials: Trauma, Ethics, and Vulnerability

part I|82 pages

Wound and Word

chapter 1|44 pages

“Almost Human in Their Hysteria”

The Open Wound and Posthumanist Lifeworlds in Faulkner’s Go Down, Moses

chapter 2|38 pages

“A Piece of a World . . .”

Working-Through Posthumanist Personhood in Toni Morrison’s Beloved

part II|92 pages

Wound and World

chapter 3|28 pages

“‘Where Modern Minds Are Weakest’”

Spectrality Studies, Posthumanist Ethics, and the Post-traumatic Subject in Shirley Jackson’s The Haunting of Hill House

chapter 4|29 pages

“‘We Never Understood What the Question Was’”

Traumatic Deferment and the Transsubjective Soul in Philip K. Dick’s Do Androids Dream of Electric Sheep?

chapter 5|26 pages

Animal Sacraments

Photographing Animal/Trauma in Clive Barker’s Sacrament

chapter |9 pages

Epilogue

To Follow Anderson Lake—Sacrificing the Human for “Some Other Creature”