ABSTRACT

Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.

chapter |10 pages

Introduction

part I|2 pages

Testing Metaphor

chapter 1|16 pages

Entities in the World

13Intertextuality in Medieval Bestiaries and Fables

chapter 2|17 pages

Una’s “Milkewhite Lambe”

chapter 3|21 pages

Behn’s Beasts

Aesop’s Fables and Surinam’s Wildlife in Oroonoko

part II|2 pages

Plotting Agency

chapter 4|19 pages

Shakespeare’s Animal Parts

chapter 5|16 pages

Exit Pursuing a Human

Performing Animals on the Early Modern Stage

chapter 6|17 pages

Collaborative Agency

Animals in Hardy’s Rural Novels

part III|2 pages

Inscribing Voice

chapter 7|17 pages

Counting Animals

122Nonhuman Voices in Lear and Carroll

chapter 8|17 pages

“What Am I?”

Locating the Indeterminate Voices of Ted Hughes’s Animal Poems

chapter 9|20 pages

“Thou, Spotted Eros”

Love Poetry, Taxonomy, and the Erotics of Adamic Naming

part IV|2 pages

Exploiting Bodies

chapter 10|15 pages

The Hunting of the Hare

179Female Virtue and Companionate Marriage in Henry Fielding’s Joseph Andrews and Tom Jones

chapter 11|18 pages

“Filth and Fat and Blood and Foam”

Animal Capital, Commodified Meat, and the “Human” in Great Expectations

part V|2 pages

Loving Dogs

chapter 13|16 pages

Animal Intimacies

229Cross-Species Affect and the Lapdog Lyric

chapter 15|18 pages

“Was it Flush, or was it Pan?”

Virginia Woolf, Ethel Smyth, and Canine Biography