ABSTRACT

Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.

chapter |10 pages

Introduction

Telling Art’s Time

part II|73 pages

Post-colonial Time

chapter 4|17 pages

Colonial Modern

A Clash of Colonial and Indigenous Chronologies: The Case of India

chapter 6|15 pages

The Time of Translation

Victor Burgin and Sedad Eldem in Virtual Conversation

part III|30 pages

Artist’s Time

chapter 7|14 pages

Arresting What Would Otherwise Slip Away

The Waiting Images of Jacob Vrel

chapter 8|14 pages

Twisted Time

Fernando Bryce’s Art of History

part IV|22 pages

Narrative Time

chapter 9|20 pages

Heterochronies

The Gospel According to Caravaggio

part V|52 pages

Ontological Time

chapter 10|13 pages

The Phenomenal Sublime

Time, Matter, Image in Mesopotamian Antiquity

chapter 11|21 pages

Resisting Time

On How Temporality Shaped Medieval Choice of Materials

part VI|28 pages

Photographic Time

chapter 13|17 pages

Showtime and Exposure Time

The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks

chapter 14|9 pages

“Objects Moving are Not Impressed”

Reading into the Blur