ABSTRACT

The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of the global art form butoh.

Originating in Japan in the 1960s, butoh was a major innovation in twentieth century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices.

This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts.

The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.

chapter |22 pages

Introduction

Title
Dance experience, dance of darkness, global butoh: the evolution of a new dance form
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part Section 1|155 pages

Butoh instigators and interlocutors

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chapter 1|12 pages

On the Eve of the Birth of Ankoku Butoh

Title
Postwar Japanese modern dance and Ohno Kazuo
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chapter 2|15 pages

From Vodou to Butoh

Title
Hijikata Tatsumi, Katherine Dunham, and the trans-Pacific remaking of blackness
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chapter 3|2 pages

Contemporary Nightmare

Title
An avant-garde dance group dances Forbidden Colors
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chapter 6|7 pages

À La Maison De Shibusawa

Title
The draconian aspects of Hijikata's butoh
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chapter 7|1 pages

Hijikata Tatsumi

Title
Burnt offering dancer
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chapter 8|2 pages

A Certain Kind of Energy

Title
Dancing modern anxiety
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chapter 9|4 pages

Butoh and Taboo

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chapter 12|14 pages

Returns and Repetitions

Title
Hijikata Tatsumi's choreographic practice as a critical gesture of temporalization
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chapter 13|13 pages

Ohno Kazuo

Title
Biography and methods of movement creation 1
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chapter 14|11 pages

What We Know and what We want to Know

Title
A roundtable on butoh and neuer Tanz
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chapter 15|5 pages

Oikawa Hironobu

Title
Bringing Decroux and Artaud into Japanese dance practices
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chapter 16|8 pages

Foundations and Filiations

Title
The legacy of Artaud in Hijikata Tatsumi
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chapter 18|13 pages

Bodies at the Threshold of the Visible

Title
Photographic butoh
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part Section 2|64 pages

The second generation

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chapter 21|11 pages

Growing New Life

Title
Kasai Akira's butoh
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chapter 22|11 pages

Light as Dust, Hard as Steel, Fluid as Snake Saliva

Title
The Butoh Body of Ashikawa Yoko
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chapter 23|12 pages

The Expanding Universe of Butoh

Title
The challenge of Bishop Yamada in Hoppo Butoh-ha and Shiokubi (1975)
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chapter 24|11 pages

Murobushi Kō and his Challenge to Butoh

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chapter 25|6 pages

Oscillation and Regeneration

Title
The temporal aesthetics of Sankai Juku
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part Section 3|115 pages

New sites for butoh

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chapter 26|9 pages

“Now We have a Passport”

Title
Global and local butoh
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chapter 28|14 pages

The Concept of Butoh in Italy

Title
From Ohno Kazuo to Kasai Akira
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chapter 29|9 pages

German Butoh Since the Late 1980s

Title
Tadashi Endo, Yumiko Yoshioka, and Minako Seki
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chapter 30|9 pages

SU-EN Butoh Company – Body, Nature, and the World

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chapter 31|9 pages

Butoh in Brazil

Title
Historical context and political reenactment
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chapter 32|10 pages

A Sun More Alive

Title
Butoh in Mexico
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chapter 35|6 pages

Iraqi Bodies' The Baldheaded

Title
“Butoh”-inspired Iraqi contemporary performance
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chapter 36|15 pages

“We need to Keep One Eye Open …”

Title
Approaching butoh at sites of personal and cultural resistance
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part Section 4|48 pages

Politics, gender, identity

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chapter 37|10 pages

Butoh's Genders

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Men in dresses and girl-like women
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chapter 38|10 pages

Death Rituals and Survival Acts

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Hata Kanoko's “butoh action” and alternative inter-Asian transnationalism
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chapter 39|7 pages

When the “Revolt of the Flesh” Becomes Political Protest

Title
The nomadic tactics of butoh-inspired interventions
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chapter 40|11 pages

Butoh Beyond the Body

Title
An interview with Shakina Nayfack on transition, evolution, and the spirit at war
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part Section 5|74 pages

Pedagogy and practice

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chapter 44|11 pages

Waguri Yukio's Butoh Kaden

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Taking stock of Hijikata's butoh notation
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chapter 45|10 pages

A Flower of Butoh

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My daily dance with Ohno Kazuo (1995–2012)
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chapter 46|4 pages

On and through the Butoh Body

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chapter 47|5 pages

My Dairakudakan Experience

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chapter 49|17 pages

Wrecking Butoh

Title
Dancing poetic shores
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part Section 6|58 pages

Beyond butoh

Title

chapter 50|8 pages

Tanaka Min

Title
The dance of life
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chapter 51|12 pages

Body Weather Laboratory Los Angeles

Title
An interview with Roxanne Steinberg and Oguri
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chapter 52|7 pages

The Cinematic Forms of Butoh Films

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chapter 53|9 pages

Locus Solus – Locus Fracta

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Butoh dance as protocol for visual self-representation
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chapter 54|6 pages

Ohno Kazuo's Lessons for a French Choreographer

Title
Ô Senseï by Catherine Diverrès
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chapter 55|8 pages

Michael Sakamoto and the Breaks

Title
Revolt of the head (MuNK remix)
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chapter 56|6 pages

Burn Butoh, Start Again

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