ABSTRACT

'Actors always talk about what the audience does. I don’t understand, we are just sitting here.'

Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself.

This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions:

  • If the audience are performers, who are their audiences?
  • How have audiences’ roles changed throughout history?
  • How do talkbacks and technology influence the audience’s role as critics?
  • What influence does the audience have on the creation of community in theatre?
  • How can the audience function as both consumer and co-creator?

Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.

chapter |16 pages

Introduction

part |68 pages

Audience Performance

chapter |24 pages

Audience as Performer

chapter |21 pages

Stage Etiquette (1800–1880)

chapter |21 pages

Theatre Etiquette (1880–2000)

part |92 pages

Contemporary Audience Performance

chapter |2 pages

Introduction to Part II

chapter |22 pages

Audience as Critic

chapter |17 pages

Audience as Community

chapter |17 pages

Audience as Consumer

chapter |26 pages

Audience as Co-creator

chapter |6 pages

Conclusion

New Possibilities