ABSTRACT
This chapter analyses modernism with the intensification, almost the exacerbation, of this self-critical tendency that began with the philosopher I. Kant. The self-criticism of Modernism grows out of but is not the same thing as the criticism of the Enlightenment. The Enlightenment criticized from the outside, the way criticism in its more accepted sense does; Modernism criticizes from the inside, through the procedures themselves of that which is being criticized. Modernist painting demonstrates, precisely in its resistance to the sculptural, that it continues tradition and the themes of tradition, despite all appearances to the contrary. Art criticism lags behind Modernist as it lagged behind pre-Modernist art. Most of the things that get written about contemporary art belong to journalism rather than criticism properly speaking. Modernist art develops out of the past without gap or break, and wherever it ends up it will never stop being intelligible in terms of the continuity of art.
