ABSTRACT
If ever there was a science fiction film that epitomizes modern ecofeminism, it is James Cameron’s 2009 film Avatar. This film provided a hypothetical case study of functional ecofeminism, presenting a reflection of society’s attitudes and values while exposing the masses to a world that viewed nature as essential and all life as valuable. The impact and influence of this film was powerful and compelling. There is no denying the breadth of Avatar’s exposure: seen by millions worldwide, it is still the highest grossing film of all time (Newsday 2018). In this ecofeminist analysis and critique of Avatar, a brief overview of the motion picture will be presented along with foundational elements of ecofeminism. Hegemonic masculinity will be described, followed by an examination of the construct depicted in this film. And lastly, an evaluation of the tropes of domination in patriarchal, capitalistic societies, and as portrayed in Avatar, will be presented, providing an explanation for the creation and continued development of harmful ideologies and cultural practices that create a destructive divide between nature and culture.
