Robert Adams’, John Baldessari’s and Peter Godwin’s Analysis of Particular Photographs
I buy a lot of pictures nobody wants, odd movie publicity stills that used to be
ten cents a piece, and are now up to twenty-five cents each. I started looking at
these kinds of pictures not because they were from movies, but because early on,
I was looking for photographs to incorporate into my own work that didn’t
involve my own sensibility.