ABSTRACT

Philip Newell's comprehensive reference work contains pearls of wisdom which anyone involved in sound recording will want to apply to their own studio design. He discusses the fundamentals of good studio acoustics and monitoring in an exhaustive yet accessible manner.

Recording Studio Design covers the basic principles, their application in practical circumstances, and the reasons for their importance to the daily success of recording studios. All issues are approached from the premise that most readers will be more interested in how these things affect their daily lives rather than wishing to make an in-depth study of pure acoustics. Therefore frequent reference is made to examples of actual studios, their various design problems and solutions.

Because of the importance of good acoustics to the success of most studios, and because of the financial burden which failure may impose, getting things right first time is essential. The advice contained in Recording Studio Design offers workable ways to improve the success rate of any studio, large or small.

chapter 1|11 pages

General requirements and common errors

chapter 2|19 pages

Sound, decibels and hearing

chapter 3|32 pages

Sound isolation

chapter 4|44 pages

Room acoustics and means of control

chapter 5|44 pages

Designing neutral rooms

chapter 6|41 pages

Rooms with characteristic acoustics

chapter 7|12 pages

Variable acoustics

chapter 9|18 pages

The studio environment

chapter 10|15 pages

Limitations to design predictions

chapter 11|35 pages

Loudspeakers in rooms

chapter 12|19 pages

Flattening the room response

chapter 13|25 pages

Control rooms

chapter 15|14 pages

Studio monitoring: the principal objectives

chapter 16|27 pages

The Non-Environment control room

chapter 17|8 pages

The Live-End, Dead-End approach

chapter 20|41 pages

Studio monitoring systems

chapter 21|21 pages

Surround sound and control rooms

chapter 22|7 pages

Human factors

chapter 23|26 pages

A mobile control room