ABSTRACT
The dialogue sequence is one of the least imaginatively treated types of sequences, although this has started to change. The editor must understand what is most important in a dialogue sequence. Generally, a director can opt to film a dialogue sequence in a two-shot or in a series of midshots from over the shoulder of each of the participants. Most dialogues proceed as two-character dialogues; occasionally, more than two characters interact in a dialogue sequence. Margo’s party for Biull in All About Eve (1950) is a good example of the latter type of dialogue sequence.
