chapter  8
Managing Your Time
Pages 10

Unlike many kinds of fi lm work, dialogue editing is amazingly unsupervised. If you’re editing the music or effects for a television special, or perhaps a documentary, you’ll usually be working with a client or a supervisor. But if you’re cutting dialogue on a feature fi lm, you’re mostly left to your own devices. A dialogue job with a lot of work and only a deadline to guide you requires planning and discipline.