ABSTRACT
One of the most intractable problems that documentary directors face is how to persuade outsiders that the starting point for programmes is not a polished commentary script. To anyone with a theatrical background this would seem odd. Most television dramas start from a written screenplay even when the director comes to this through long periods of improvisation in rehearsal. Many journalists regard film and video the same as photographs in a newspaper, arresting and illustrative perhaps, but always subordinate to the writing.
