ABSTRACT
Fi rs t it would have required cutting precise masks for each transparency, tying up three large format enlargers for several hours. As well as testing filtrations for three separate color heads and using vast amounts of R-type paper, it became a total nonstarter. A shame really as I had made a joiner of a huge Moreton Bay fig tree on my mother’s farm, Circular Quay and an east t o west continuous panoramic of Sydney.
