ABSTRACT
Working from scratch, of course, it’s not possible. But
something equally useful is.
Not too long ago, I was approached by the BBC to
create the first nationally telecast live DVJ mix for
Glastonbury – 12 hours of television in total. It seemed
feasible given the amount of material I had archived
from five years on the road, and our initial meeting
turned into a signing. As I was leaving the room, happy
with our new deal, by way of goodbye the BBC folks
said, “Oh, and Charles, it all needs to be in 16:9.”
