ABSTRACT
The writing of this book turned out to be an attempt to discover, within the limits of a special field, something of the nature of the forces that bring order out of chaos. It was a study that had to do with the discovery of a different kind of integrative force than that which results from any attempt, of whatever nature, to copy a preexisting ordered model. The question then arises, how is this different kind of integrating force to be talked about, whether in terms of scientific concepts in general, or in terms of those so far developed in the particular field of psychoanalysis. Also the question of the nature of the force or forces that produced the free drawings brought me to see that the other question, that with which this book began, of how psychic creativity works, had inevitably branched out into the second one; that is how is this capacity called psychic creativeness itself to be conceived, in what terms is it to be talked about? While writing the book I had assumed that I knew what I meant by ‘psychic creativeness’ and had not troubled to define it; then I had gradually discovered that I did not know precisely. But finally, as a result of this study, and also as a result of writing a clinical paper on aspects of symbol formation, I had found a definition which seemed to be at least a workable tool: that is that psychic creativeness is the capacity for making a symbol. Thus, creativeness in the arts is making a symbol for feeling and creativeness in science is making a symbol for knowing.
