ABSTRACT

In the course of exploring the theatrical cultures of South and East Asia, eminent Shakespeareanist John Russell Brown developed some remarkable theories about the nature of performance, the state of Western 'Theatre' today, and the future potential of Shakespeare's plays.
In New Sites for Shakespeare he outlines his passionate belief in the power of theatre to reach mass audiences, based on his experiences of popular Asian performances. It is a personal polemic, but it is also a carefully argued and brilliantly persuasive study of the kind of theatrical experience Shakespeare's own contemporaries enjoyed.
This is a book which cannot be ignored by anyone who cares about the live performing arts today. Separate chapters consider staging, acting, improvisation, ceremonies and ritual, and an analysis of the experience of the audience is paramount throughout.

chapter |4 pages

Introduction

part |2 pages

Part I: Visiting

chapter 1|22 pages

Open Stages: presence and occasion

chapter 2|14 pages

Audiences: on stage and off stage

chapter 3|10 pages

Ritual: action and meaning

chapter 4|18 pages

Ceremony: behaviour and reception

chapter 5|20 pages

Performance: imagination and involvement

chapter 6|12 pages

Improvisation: freedom and collusion

chapter 7|18 pages

Response: actors and audiences

chapter 8|16 pages

Settings: actors and stages

part |2 pages

Part II: Returning

chapter 9|5 pages

Criticism: texts and study

chapter 10|18 pages

Control: directors and companies

chapter 11|11 pages

Scenography: theatres and design

chapter 12|17 pages

Actors: training and performance