ABSTRACT
Sharon Flescher, "Women artists at the Paris Salon of 1870: An avant-garde view", Arts Magazine, lii/3, 1977, ρρ-99-101
Abstraction-Création, 1931-1936, exh. cat., Westfälisches Landesmuseum, Münster, and Musée d'Art Moderne de Ia Ville de Paris, 1978
Iris Clert, Iris-Time: L'artventure, Paris: Denoel, 1978 L'altra metà dell'avanguar dia, 1910-1940: Pittrici e scul-
trici nei movimenti delle avanguardie storiche, exh. cat., Palazzo Reale, Milan, and elsewhere, 1980
Malcolm Gee, Dealers, Critics and Collectors of Modern Painting: Aspects of the Parisian Art Market Between 1910 and 1930, New York: Garland, 1981
Katia Granoff, Ma vie et mes rencontres, Paris: Bourgeois, 1981
Paris-Paris, 1937-1957: Créations en Prance, exh. cat., Centre Georges Pompidou, Paris, 1981
J. Diane Radycki, "The life of lady art students: Changing art education at the turn of the century", Art journal, xlii, Spring 1982, pp.9-13
ΑΙΑ: The Story of the Artists' International Association, 1933-1953, exh. cat., Museum of Modern Art, Oxford, 1983
Carte blanche à Denise Réné: Aventure géométrique et sinétique, exh. cat., Paris Art Center, 1984
Charlotte Yeldham, Women Artists in NineteenthCentury France and England, 2 vols, New York: Garland, 1984
Guy Vighnot, La]eune Peinture, 1941-1961, Paris: Edition Terre des Peintres, 1985
Paul Duro, "The 'Demoiselles à Copier' in the Second Empire", Woman's Art Journal, vii/I, 1986, pp.1-7
Shari Benstock, Women of the Left Bank: Paris, 1900-1940, Austin: University of Texas Press, 1986; London: Virago, 1987
Michèle Lefrançais, "Art et aventure au féminin", Coloniales, 1920-1940, exh. cat., Musée Municipale, Boulogne-Billancourt, 1989, pp.53-66
Marina Sauer, L'Entrée des femmes à I'Ecole des BeauxArts, 1880-1923, Paris: Ecole Nationale Supérieure des Beaux-Arts, 1990
Catherine Millet, Conversations avec Denise René, Paris: Biro, 1991
Biennale des femmes peintres et sculpteurs, 1882-1992: 108ème Salon, exh. cat., Grand Palais, Paris, 1992
Hommage à Nadia Léger: Retrospective, 1967-1992, exh. cat., Musée National Fernand Léger, Biot, 1992
Catherine Fehrer "Women at the Académie Julian in Paris", Burlington Magazine, cxxxvi, 1994, pp.752-7
Tamar Garb, Sisters of the Brush: Women's Artistic Culture in Late Nineteenth-Century Paris, New Haven and London: Yale University Press, 1994
Jeanne Bucher: Une galerie d'avant-garde, 1925-1946, exh. cat., Les Musées de la Ville de Strasbourg, 1994
Nancy Mowll Mathews, Mary Cassatt: A Life, New York: Villard, 1994
Gill Perry, Women Artists and the Parisian Avant-Garde, Manchester: Manchester University Press, and New York: St Martin's Press, 1995
Sarah Wilson, "Femininities/Mascarades", Rrose is a Rrose is a Rrose: Gender Performance in Photography, exh. cat., Solomon R. Guggenheim Museum, New York, 1997
3. Germany, Austria and Switzerland The fact that so little is known about the history of women artists has to do with the way in which women have been perceived and evaluated. With a few exceptions, art made by women in the Germanspeaking countries was not purchased in any quantity, collected systematically or carefully preserved; it was not accurately labelled in collections or made the subject of scholarly research. It has thus been difficult to identify the body of art created by women, so that our knowledge of their legacy is incomplete.
