ABSTRACT

The value of source-criticism within Shakespeare is ancillary, negative, and indicative. It will help us think about a play or scene. It will tell us how not to think about them. And in the absence of other hard evidence as to the genesis or intention of a play, source-criticism—by showing where and how a play began—can indicate directions of imaginative change. In fact, the pattern of what Shakespeare leaves out, picks up, extends, and adds from elsewhere indicates a great deal.