ABSTRACT

In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.

part |2 pages

Part I

chapter 3|40 pages

The dogmatic formula

part |2 pages

Part II

chapter 5|31 pages

Documenting the law

chapter 6|35 pages

Documenting the minorities

chapter 7|29 pages

The many voices of Chinese documentary