ABSTRACT

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices.

Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.

The volume is organised thematically in five sections:

  • looking, the experience of seeing
  • space and place
  • the designer: the scenographic
  • bodies in space
  • making meaning

This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning.

Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

part |73 pages

Space and Place

chapter |5 pages

Site-Specifics

chapter |10 pages

Dancing in the Streets

The Sensuous Manifold as a Concept for Designing Experience

chapter |6 pages

Grounding

part |91 pages

The Designer

chapter |9 pages

Stage Designs of a Single Gesture

The Early Work of Robert Edmond Jones

chapter |10 pages

Hope, Hopelessness/Presence, Absence

Scenographic Innovation and the Poetic Spaces of Jo Mielziner, Tennessee Williams and Arthur Miller

chapter |16 pages

Brecht and Stage Design

The BÜhnenbildner and the BÜhnenbauer

part |76 pages

Bodies in Space

chapter |4 pages

Docile Bodies

chapter |10 pages

Woman, Man, Dog, Tree

Two Decades of Intimate and Monumental Bodies in Pina Bausch's Tanztheater

chapter |6 pages

Glow

An Interview with Gideon Obarzanek

part |88 pages

Making Meaning

chapter |4 pages

Semiotics

chapter |8 pages

Sound Design

The Scenography of Engagement and Distraction

chapter |9 pages

Drawing in Rehearsal