ABSTRACT

In this challening book, Firdous Azim, provides a feminist critique of orthodox accounts of the `rise of the novel' and exposes the underlying orientalist assumptions of the early English novel. Whereas previous studies have emphasized the universality of the coherent and consistent subject which found expression in the novels of the eighteenth century, Azim demonstrtes how certain categories: women and people of colour, were silenced and excluded. The Colonial Rise of the Novel makes an important and provocative contribution to post-colonial and feminist criticism. It will be essential reading for all teachers and students of English literature, women's studies, and post-colonial criticism.

chapter |9 pages

INTRODUCTION

chapter 1|24 pages

THE SUBJECT/S OF THE NOVEL

chapter 2|27 pages

SLAVERY AND SEXUALITY IN OROONOKO

chapter 3|27 pages

DANGEROUS IDENTITY

The many disguises of Roxana

chapter 4|21 pages

CHARLOTTE BRONTË/CURRER BELL

Sexuality, the text and the woman novelist

chapter 5|38 pages

THE BRONTË CHILDREN AT PLAY

chapter 6|25 pages

THE POLITICS OF LANGUAGE IN THE