ABSTRACT

It should be easy to get off a few words about one’s work-exchange useful debris and so forth. It isn’t. It’s hard to know where to start, but even more one senses so-called Theatre at the edge of provoking an explosive degree of consciousness. I mean, once you get away from what Paul Sills has aptly called the GOD’S WORD way of doing things-

—once a form begins through participation or outright collaboration to deliberately engage the individual imaginations of audience and performer alike, across the board as it were, then you’re into a fairly serious realm. What form? What realm?