ABSTRACT

From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles.

Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians.

Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory.

Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.

chapter |19 pages

Rethinking Nostalgia

In The Mood for Love and Far From Heaven

part |44 pages

Reviewing the past

part |46 pages

Memory in popular British cinema

chapter |6 pages

Introduction

chapter |7 pages

Mandy

Daughter of transition

chapter |13 pages

Memory in British Cinema

Brief encounters

part |54 pages

Stars, iconoclasm and identification

chapter |6 pages

Introduction

chapter |10 pages

Stars and Politics

chapter |17 pages

The Gold Diggers

chapter |19 pages

No Fixed Address

The women's picture from Outrage to Blue Steel

part |31 pages

Martin Scorsese and postclassical nostalgia

chapter |6 pages

Introduction

chapter |8 pages

Masculinity in Crisis?

Tragedy and identification in Raging Bull

chapter |5 pages

Scorsese's Masquerade

chapter |5 pages

The Age of Innocence

part |44 pages

Reinventing history

chapter |6 pages

Introduction

chapter |10 pages

Replicating the Past

Memory and history in Dance With a Stranger

chapter |13 pages

Fictions of Identity

Style, mimicry and gender in the films of Kathryn Bigelow