ABSTRACT
George C. Wolfe’s dynamic production of The Tempest, which played last season in the Central Park and has now moved to the Broadhurst, proves once again that Joe Papp’s latest successor is a brilliant showman. There is hardly a moment in this New York Shakespeare production that is not alive with dazzling and spectacular effects. Bunraku puppets, Indonesian shadow play, Caribbean carnivals, Macy’s Day floats, Asian stiltwalkers, death masks, stick dancing, magical transformations effected through a haze of smokepots. Don’t look to spend any quiet time here. The stage is in constant motion. This may be the busiest Tempest in history.
