ABSTRACT

Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life. It is a theatre which defines itself in terms of people and places rather than the idealised empty space of avant garde performance.

Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment. His book is a persuasive demand for a critical theory of theatre which is as mentally supple as theatre is physically versatile.

part |2 pages

Part I PRACTICE CRITICISM QUOTIDIAN

chapter 1|32 pages

LAY THEATRE

chapter 2|42 pages

REGARDING THEATRE

chapter 3|44 pages

EVERYDAY LIFE

part |6 pages

Part II NATURE THEATRE CULTURE

chapter 4|18 pages

ORIENTATION: SPACE AND PLACE

chapter 5|16 pages

ACCRETION: EARTH AND DEPTH

chapter 6|22 pages

INSPIRATION: AIR AND BREATH

chapter 7|12 pages

CIRCULATION: WATER AND HYGIENE

chapter 8|10 pages

COMBUSTION: FIRE AND SAFETY