ABSTRACT

Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.

part 1|7 pages

INTRODUCTION

chapter |2 pages

NOTES

chapter |3 pages

REFERENCES

part 2|13 pages

STAGING “SHAKESPEARE”

chapter |2 pages

NOTES

chapter |3 pages

REFERENCES

chapter 3|18 pages

PERFORMANCE AND PARTICIPATION

part 4|18 pages

SQUEAKING CLEOPATRAS

chapter |1 pages

NOTES

chapter |3 pages

REFERENCES

part 5|18 pages

LOOKING FOR MR.SHAKESPEARE AFTER “THE REVOLUTION”

chapter |2 pages

NOTES

chapter |4 pages

REFERENCES

part 6|15 pages

SHAKESPEARE, VOICE, AND IDEOLOGY

chapter |4 pages

NOTES

chapter |3 pages

REFERENCES

chapter 7|20 pages

ACTING SHAKESPEARE IN POSTCOLONIAL SPACE

part 8|13 pages

SHAKESPEARE WITHOUT HIS LANGUAGE

chapter |1 pages

NOTES

chapter |2 pages

REFERENCES

chapter 9|18 pages

HISTORICIZING ALAN DESSEN

part 10|15 pages

RETHINKING THE PERFORMANCE EDITIONS

chapter |1 pages

NOTES

chapter |2 pages

REFERENCES

part 11|17 pages

DROWNING THE BOOK

chapter |2 pages

NOTES

chapter |5 pages

REFERENCES

chapter |2 pages

NOTES ON CONTRIBUTORS