ABSTRACT
In the decade or more since the women’s movement began, a number of books on the female experience in literature, art and architecture, film and dance have been published, but no comparable attempts have been made to identify a women’s tradition in the complex art of theatre. Some excellent volumes of plays by women and some about women, some interesting articles on individuals and on the new feminist theatres, a symposium or an interview here or there have appeared. With the exception of the reissue of Rosamund Gilder’s classic, Enter the Actress, however, no overall study has tried to see how women have used and have been used in theatre.
