ABSTRACT

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

chapter one|38 pages

“Chiclete com Banana”

Internationalization in Brazilian Popular Music
ByCharles A. Perrone, Christopher Dunn

chapter two|7 pages

Carmen Mirandadada

ByCaetano Veloso

chapter three|26 pages

Myth, Melopeia, and Mimesis

Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music
ByCharles A. Perrone

chapter five|10 pages

Globalizing Caetano Veloso

Globalization as Seen through a Brazilian Pop Prism
ByLiv Sovik

chapter six|17 pages

Cannibals, Mutants, and Hipsters

The Tropicalist Revival
ByJohn J. Harvey

chapter nine|16 pages

World of Fantasy, Fantasy of the World

Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia
ByMilton Araújo Moura

chapter ten|15 pages

Songs of Olodum

Ethnicity, Activism, and Art in a Globalized Carnival Community
ByPiers Armstrong

chapter eleven|15 pages

“Fogo na Babilônia”

Reggae, Black Counterculture, and Globalization in Brazil
ByOsmundo de Araújo Pinho

chapter twelve|13 pages

Reggae and Samba-Reggae in Bahia

A Case of Long-Distance Belonging
ByAntonio J. V. dos Santos Godi

chapter thirteen|13 pages

Black or Brau

Music and Black Subjectivity in a Global Context
ByAri Lima

chapter fourteen|12 pages

Tumed-Around Beat

Maracatu de Baque Virado and Chico Science
ByLarry Crook

chapter fifteen|13 pages

Self-Discovery in Brazilian Popular Music

Mestre Ambrosio
ByJohn Murphy

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