ABSTRACT
Particular genres of popular music have sparked controversy and opposition, both upon their emergence and sporadically since: rock ‘n’ roll in the mid-1950s, psychedelic rock in the late 1960s, disco and punk in the 1970s, heavy metal and rap in the 1980s, to name only the better known examples (see Martin and Segrave, 1988). Criticism has centred variously on the influence of such genres on youthful values, attitudes and behaviour through the music’s (perceived) sexuality and sexism, nihilism and violence, obscenity, black magic and anti-Christian nature. The political edge of popular music has been partly the result of this hostile reaction often accorded to the music and its associated causes and followers, helping to politicise the musicians and their fans. While such episodes are a standard part of the history of rock music, rarely are their nature and cultural significance more fully teased out. The first part of this chapter argues that they have constituted a form of moral panic-the social concern generated by them was greatly exaggerated, and the perceived threat to social harmony was by no means as ominous as many regarded it. That said, attempts to control and regulate rock are significant as part of the on-going contestation of cultural hegemony, particularly with the emergence of the New Right.
