ABSTRACT

India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey.

Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism.

The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

part |30 pages

Historical analysis

chapter |16 pages

The Indian New Wave

part |142 pages

Regional cinemas

chapter |15 pages

‘Bengali' Cinema

Its making and unmaking

chapter |12 pages

Assamese Cinema

Dreams, reality and dichotomies

chapter |16 pages

Marathi Cinema

The exile, the factory and fame

chapter |14 pages

Gujarati Cinema

Stories of sant, sati, shethani and sparks so few

chapter |13 pages

Matriliny to Masculinity

Performing modernity and gender in Malayalam cinema

chapter |10 pages

The Star-Politicians of Tamil Nadu

The origin and emergence

chapter |13 pages

Beyond the Star

Telugu comedy films and realpolitik in Andhra Pradesh

chapter |15 pages

From Lahore to Bombay … to Vancouver

The checkered journey of Punjabi cinema 1

part |148 pages

Themes and perspectives

chapter |12 pages

The Scale of Diasporic Cinema

Negotiating national and transnational cultural citizenship

chapter |15 pages

Digitizing the National Imaginary

Technology and hybridization in Hindi film songs of the post-liberalization period 1

chapter |13 pages

Scriptwriting

In and out of the box

chapter |14 pages

Film Censorship in India

Deconstructing an incongruity

part |50 pages

The business of Indian cinemas

chapter |11 pages

Film Distribution

The changing landscape

chapter |9 pages

Indian Cinemas

Acknowledging property rights

chapter |15 pages

Foundations, Movements and Dissonant Images

Documentary film and its ambivalent relations to the nation state

part |56 pages

Cinema halls and audiences

chapter |13 pages

Cinema as Social Space

The case of the multiplex

chapter |12 pages

Virtual Darshan

Social networking and virtual communities in the Hindi film context