ABSTRACT
In this essay, we offer, by way of reimagining as an act of ‘updating’, two contemporary versions of the spectacle of the female body. These analyses offer equivalency and continuation to/of ‘Striptease’ and ‘The Face of Garbo’.
In this essay, we offer, by way of reimagining as an act of ‘updating’, two contemporary versions of the spectacle of the female body. These analyses offer equivalency and continuation to/of ‘Striptease’ and ‘The Face of Garbo’.