ABSTRACT

Second-wave feminism fought to end the blanket silence shrouding rape and bring it to public attention. Now feminist critics must confront a different issue. In Public Rape Tanya Horeck considers the public investment in images of rape and the figure of the raped woman. Introducing the idea of 'public rape', Horeck looks at how images of rape serve as cultural fantasies of sexual, racial and class difference. Looking at rape in real life as well as in literature and films such as The Accused and Boys Don't Cry, Horek reveals how representations of rape raise vital questions about the relationship between reality and fantasy, and between violence and spectacle

chapter |13 pages

Introduction

Rape and public fantasy

part |51 pages

Part I Primal Scenes

chapter |25 pages

1 Origin Stories

Rape, fantasy and the foundations of feminism

chapter |24 pages

2 Body Politics

Rousseau's Le Lévite d'Ephraim

part |49 pages

Part II The Spectacle of Rape

chapter |22 pages

3 ‘Rape is Not a Spectator Sport'

The New Bedford ‘Big Dan's' gang rape

chapter |25 pages

4 ‘They Did Worse Than Nothing'

Rape and spectatorship in The Accused

part |39 pages

Part III Rewriting Rape

chapter |19 pages

5 ‘More Intimate Than Violence'

Sarah Dunant's Transgressions

chapter |18 pages

6 Rape on Tape?

Raw Deal: A Question of Consent