ABSTRACT

The cowboys and Indians, sheriffs and outlaws, schoolmarms and barkeeps of Western films have wholly transformed our ideas about the reality of the American frontier. Westerns is the first book to consider seriously the historical meanings and functions of the Western film genre. In Westerns , leading scholars unpack the ways in which the form has embellished, mythologized, and erased past events. Contributors explore the mythic Wild West envisioned by Buffalo Bill Cody, the revisionist aims of recent westerns like Posse, Lone Star, and Dead Man , and how the genre addresses key issues of biography, authenticity, race, and representation. Included is an introduction by Janet Walker.

chapter |24 pages

Introduction

Westerns Through History

part 1|61 pages

Historical Metafiction: the 1990s western

chapter 1|20 pages

Generic Subversion as Counterhistory

Mario van peebles's posse

chapter 2|23 pages

A Tale N/Nobody Can Tell

The Return of a Repressed Western History in Jim Jarmusch's dead man

part 2|61 pages

Historiophoty: Buffalo Bill, the Indians, and the Western Biopic

chapter 4|20 pages

Cowboy Wonderland, History and Myth

“It Ain't All that Different than Real Life”

chapter 5|22 pages

Life-Like, Vivid, and Thrilling Pictures

Buffalo Bill's Wild West and Early Cinema

chapter 6|17 pages

Buffalo Bill (Himself)

History and Memory in the Western Biopic

part 3|68 pages

Film History: Widening Horizons

chapter 7|26 pages

How the West Was Sung

chapter 8|19 pages

Drums Along the L.A. River

Scoring the Indian

chapter 9|20 pages

Beyond the Western Frontier

Reappropriations of the “Good Badman” in France, the French Colonies, and Contemporary Algeria

part 4|35 pages

History Through Narrative

chapter 10|33 pages

Captive Images in the Traumatic Western

The Searchers, Pursued, Once Upon a Time in the West, and lone star