ABSTRACT
The cowboys and Indians, sheriffs and outlaws, schoolmarms and barkeeps of Western films have wholly transformed our ideas about the reality of the American frontier. Westerns is the first book to consider seriously the historical meanings and functions of the Western film genre. In Westerns , leading scholars unpack the ways in which the form has embellished, mythologized, and erased past events. Contributors explore the mythic Wild West envisioned by Buffalo Bill Cody, the revisionist aims of recent westerns like Posse, Lone Star, and Dead Man , and how the genre addresses key issues of biography, authenticity, race, and representation. Included is an introduction by Janet Walker.
TABLE OF CONTENTS
part 1|61 pages
Historical Metafiction: the 1990s western
chapter 2|23 pages
A Tale N/Nobody Can Tell
part 2|61 pages
Historiophoty: Buffalo Bill, the Indians, and the Western Biopic
chapter 5|22 pages
Life-Like, Vivid, and Thrilling Pictures
part 3|68 pages
Film History: Widening Horizons
chapter 9|20 pages
Beyond the Western Frontier
part 4|35 pages
History Through Narrative