ABSTRACT
My Collective Experiments have shown the concordance of affective suggestion which may be discerned when the attention of a group of Answerers is, so to speak, artificially concentrated; also in what, similarly concordant, metaphors, similes and “visions” such affective suggestions may become manifest in different individuals. All of which illustrates my chapters on Emotional Suggestion and other Interpretation, the “meaning” and “message” variously attached to music, and moreover mainly by “Hearers.”
