ABSTRACT
In one of the preceding chapters Nietzsche’s theory of Greek tragedy was given in outline and its dependence upon the data of Schopenhauer’s philosophy was indicated. It is now in order to examine this theory a bit more closely and to trace cut its origin and development with greater dwelling upon detail. In itself it is of interest only as a step forward in the art of literary criticism, but in its influence upon Nietzsche’s ultimate inquiries it has colored, to a measurable extent, the whole stream of modem thought.
