Painting as making real
The Prose quotations given here as chapter headings are from a book published in the United States in 1930. The book is concerned with the implications of scientific studies of creative experience between people and groups of people, whether in industrial, social or political relationships. I have quoted extensively from it because such formulations did seem to provide most cogent intellectual statements of some of the very problems that I was struggling with in private feeling and action. But there was one fact the implications of which I could not easily ignore. It was the fact that I had first read the book many years before making this study, even though, when choosing these chapter headings, it had seemed that I was reading them for the first time. So the question arose, why had it been necessary to wait for the experience of the free drawings before becoming able to make Follett’s ideas part of daily living? Now I thought the answer was indicated in certain passages of Follett’s which seemed to leave out the one fact which in my own experience had turned out to be crucial.