ABSTRACT

Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.

part |2 pages

Part I

chapter |35 pages

PART I Introduction

chapter 2|27 pages

Multiplexperiences: Individualized Immersion and Collective

Individualized Immersion and Collective Feelings

part |2 pages

Part II

chapter 3|27 pages

Frightening Fascination

A Phenomenology of Direct Horror

chapter 4|19 pages

Intimidating Imaginations

A Phenomenology of Suggested Horror

chapter 5|28 pages

Startling Scares

A Phenomenology of Cinematic Shock

chapter 6|47 pages

Anxious Anticipations

A Phenomenology of Cinematic Dread

chapter 7|17 pages

Apprehensive Agitation

A Phenomenology of Cinematic Terror

part |2 pages

Part III

chapter 8|20 pages

Moments of Intensity

Lived-Body Metamorphoses and Experienced Time

chapter 10|5 pages

The End