ABSTRACT
It is customarily argued that the various disciplines in the humanities present selected intellectual directives that could potentially inspire the unfolding of creative architectural design processes, or orient their conceptual expressions, their imaginative projections and concretised representations. This state of affairs is commonly supported by series of discourses, which are typically articulated around historical precedents that co-entangled the history of architecture with the history of the exact sciences, of mathematics and philosophy.
