ABSTRACT
Cordelia disguises herself as a Tarantino-esque sword master and falls in love with a punkish Romeo. In post-apocalypse Tokyo, Macbeth is a metal rock star fooled by his witches, embodiments of the ruthless logic of commercialized music scenes. Richard III is a sexy, handsome villain who seduces all women around him by his atrocious charm. Can these be Shakespeare? Inoue Hidenori (henceforth Hidenori) shows great mastery in un-Shakespearing Shakespeare.
