ABSTRACT
Marina Abramovic´ has been teaching using extended workshops since 1979 when she first ran a workshop with Ulay in the Blue Mountains, New South Wales, Australia (Abramovic´ et al., 2003: 19). Since that time, Abramovic´ has been keen to pass her techniques and approach to making to students and emerging artists all over the world. This section will focus on some of her creative practices and how these techniques relate to her overall performance philosophy.
