ABSTRACT

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances.

The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.

chapter 1|10 pages

INTRODUCTION

part |2 pages

Part 1 MUSIC AND THE “SILENT” FILM (1894–1927)

chapter 2|16 pages

ORIGINS, 1894–1905

chapter 3|19 pages

THE NICKELODEON, 1905–15

chapter 4|21 pages

FEATURE FILMS, 1915–27

part |2 pages

Part 2 MUSIC AND THE EARLY SOUND FILM (1894–1933)

chapter 5|17 pages

THE LONG ADVENT OF SOUND, 1894–1926

chapter 6|22 pages

VITAPHONE AND MOVIETONE, 1926–8

chapter 7|21 pages

HOLLYWOOD’S EARLY SOUND FILMS, 1928–33

part |2 pages

Part 3 MUSIC IN THE “CLASSICAL-STYLE” HOLLYWOOD FILM (1933–60)

part |2 pages

Part 4 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958–2008)

chapter 10|20 pages

A “NEW WAVE” OF FILM MUSIC, 1958–78

chapter 11|19 pages

ECLECTICISM, 1978–2001

chapter 12|9 pages

EPILOGUE, 2001–8