ABSTRACT

Electronic and Experimental Music: Technology, Music, and Culture provides a thorough treatment of the relevant history behind the marriage of technology and music that has led to the state of electronic music today. Beginning with an early history of electronic music before 1945, the book outlines key composers, inventions, and concepts, ranging from Edgard Varèse to Brian Eno; musique concrète to turntablism; and compositional techniques used in both analog and digital synthesis.

The third edition’s reader-friendly writing style, logical organization, and features provide easy access to key ideas, milestones, and concepts.

Features:

  • Reader’s guides and summaries at the beginning and end of each chapter
  • Innovations boxes providing a unique profile of an influential individual in the field of electronic music
  • Listen playlists recommending key recordings in each musical genre mentioned in each chapter
  • Milestones timelines summarizing the major technological and musical innovations discussed in each chapter.

part |2 pages

Part I: Early History

chapter 1|38 pages

Electronic Music Before 1945

chapter 2|38 pages

Early Electronic Music in Europe

chapter 4|12 pages

Early Electronic Music in Japan

part |2 pages

Part II Analog Synthesis and Instruments

part |2 pages

Part III Digital Synthesis and Computer Music

chapter 10|20 pages

Early Computer Music (1953–85)

chapter 11|23 pages

The Microprocessor Revolution (1975–90)

chapter 12|25 pages

The Principles of Computer Music

part |2 pages

Part IV The Music

chapter 14|43 pages

Classical and Experimental Music

chapter 15|31 pages

Live Electronic Music and Ambient Music

chapter 16|22 pages

Rock, Space Age Pop, and Turntablism