ABSTRACT
I told him how offended we were that inspiration had been replaced by conscious calculation on the part of the actor.
‘Yes, indeed . . . ,’ Tortsov said. ‘One half of you is moving towards the Supertask, the Through-action, the Subtext, mental images, the creative state, and the other half is concerned with your psychotechnique and Adaptations as I showed you in earlier classes.
