ABSTRACT

Lehman brings together new work on masculinity in film by established film scholars, new academics, performance artists, and cultural critics. The essays analyze trends from the role of gay men in saving heterosexuality to the emergence of new queer cinema.

chapter |6 pages

Introduction

chapter 1|17 pages

“Someone Is Going to Pay”

Resurgent White Masculinity in Ransom

chapter 2|17 pages

Crying Over the Melodramatic Penis

Melodrama and Male Nudity in Films of the 90s

chapter 3|8 pages

The Saviors and the Saved

Masculine Redemption in Contemporary Films

chapter 4|15 pages

Identity, Queerness, and Homosocial Bonding

The Case of Swingers

chapter 5|14 pages

Rape Fantasies

Hollywood and Homophobia

chapter 6|14 pages

Choosing to Be “Not a Man”

Masculine Anxiety in Nouri Bouzid's Rih Essed/Man of Ashes

chapter 7|20 pages

T(he)-Men's Room

Masculinity and Space in Anthony Mann's T-Men

chapter 8|18 pages

The Talented Poststructuralist

Heteromasculinity, Gay Artifice, and Class Passing

chapter 9|15 pages

“Emotional Constipation” and the Power of Dammed Masculinity

Deliverance and the Paradoxes of Male Liberation

chapter 10|18 pages

“As a Mother Cuddles a Child”

Sexuality and Masculinity in World War II Combat Films

chapter 11|26 pages

The Nation and the Nude

Colonial Masculinity and the Spectacle of the Male Body in Recent Canadian Cinema(s)

chapter 14|16 pages

“Studs Have Feelings Too”

Warren Beatty and the Question of Star Discourse and Gender

chapter 15|14 pages

James Bond's Penis

chapter 17|21 pages

Suck, Spit, Chew, Swallow

A Performative Exploration of Men's Bodies