ABSTRACT

The Italian fascination for literary works that include female characters who dress and act as men is remarkably pervasive in the Middle Ages and Renaissance, spanning a variety of genres including cantari, epic poems, comic plays, and novellas. 1 The popularity of the motif in the late medieval and Renaissance novella is attested by D. R Rotunda, who lists no fewer than thirty-one instances in his Motif-Index of the Italian Novella in Prose. This preponderance becomes all the more remarkable when one considers the fact that Rotunda's list is rather inaccurate and fails to include a considerable number of relevant stories. 2