ABSTRACT
Imagine, if you will, a Second World War bombshelter: typical concrete construction, cold, damp, the few lights attached to the walls are directed at the ceiling. Scattered on the floor are white marble chips, from the sort of marble the great sculptures of the past were made. Lying before you as you enter the bunker are three more or less coffin-shaped blocks, approximately 8 feet long and 3 feet high and across. The three blocks are set one behind the other. They are made of jell-o! Hence the sharp edges of the marble chips dig into them, scoring their flesh; their gross, raspberry colour vibrant, too vibrant; they are translucent, solids that yet are a medium through which light passes.
