ABSTRACT

The most comprehensive volume on performance art from the Americas to have appeared in English, Corpus Delecti is a unique collection of historical and critical studies of contemporary Latin performance. Drawing on live art from the 1960s to the present day, these fascinating essays explore the impact of Latin American politics, popular culture and syncretic religions on Latin performance.
Including contributions by artists as well as scholars, Fusco's collection bridges the theory/practice divide and discusses a wide variety of genres. Among them are:
* body art
* carpa
* vaudeville
* staged political protest
* tropicalist musical comedies
* contemporary Venezuelan performance art
* the Chicano Art movement
* queer Latino performance
The essays demonstrate how specific social and historical contexts have shaped Latin American performance. They also show how those factors have affected the choices artists make, and how their work draw upon and respond to their environment.

part |1 pages

PART I Heterotopic, homoerotic, hyper-exotic cabarets

chapter |17 pages

The Melodramatic Seductions of Eva Perón

chapter |2 pages

Chicas 2000

chapter |11 pages

Exotic Exports: The Myth of the Mulatta

chapter |4 pages

She is a Virgin and She Awaits You

chapter |2 pages

The Beach is Nice

chapter |1 pages

STUFF!

chapter |2 pages

“Border Brujo,” 1988

chapter |2 pages

“Oh Goya! Goya!” 1996

chapter |13 pages

Architectures of Seeing

part |2 pages

PART II Ritualizing the body politic

chapter |18 pages

From Inscription to Dissolution

chapter |1 pages

The Burden Of Guilt

chapter |18 pages

Lygia Clark and Hélio Oiticica

chapter |14 pages

Embodying Venezuela

chapter |3 pages

PerforMANcena (Performance-Meal)

chapter |1 pages

America the Beautiful (1996)

part |1 pages

PART III Stepping toward an oppositional public sphere

chapter |2 pages

Sunday, July 25, 1965

chapter |2 pages

The Street and its Conditions

chapter |14 pages

Non-objective arts in Mexico 1963–83

chapter |1 pages

The End of the Line, 1986

chapter |7 pages

Art Attack: The Work of ARTECALLE

chapter |1 pages

“12429OO (Parte l)”, 1996

chapter |3 pages

Electronic Disturbance Theater