ABSTRACT

An analysis of the predominant trends in the practice of major Polish theatre artists of this century reveals how Gardzienice’s work belongs to a particular tradition forged in a specific context. The Romantic movement has provided a theoretical and historical framework for Polish drama as well as giving it texts and mentors. It has also helped create a Polish theatre with specific attributes-post-Second World War alternative theatre in Poland has continually challenged theatrical boundaries and has been internationally recognised for its visual rather than literary means of expression. The content of performances has often opposed the dominant social and political values and ignored the narrow parameters of Communist dictates. This can be seen in a wide range of productions including Gardzienice’s which also draw on Romantic aesthetics and Polish theatrical traditions. Gardzienice’s performances are visual, physical and metaphorical, evolve from detailed actor training and utilise religious and folk imagery and symbolism. The influence of Romantic ideals on Gardzienice also pertains to wider aspects of their work, including the search for inspiration from nature, the value of folk culture and the importance of journeying to foreign cultures to broaden artistic sensibilities.